Poetry: Selections from Jean-Luc Fontaine
Ode to Nigel
Jean-Luc Fontaine is a Tucson based poet. He enjoys looking at cactuses and drinking cheap, instant coffee.
I read about a seagull
named Nigel living off
the rocky coasts of New Zealand
who’s been trying to mate
with a concrete decoy for over five years.
I’m sure all of us can relate:
trying to woo
a rock-stiff statue of a date—
the argle-bargle as you twist
spaghetti around a fork,
desperately thinking of ways
to buoy the conversation. Like Rachel, who stared
blankly at me as I told her
I hunkered in New York
for two years, praying
my poetry might take off,
like a pigeon scared
from the girders under Penn Station,
to which she laughed and said,
But no one reads poetry anymore.
Or Emily who watched me
tumble down the side of a sandy mountain
straight into a caucus
of cactuses, then stared
at her smartphone—
her Instagram feed flickering
in her egret-white eyes—
as I plucked each green spike
from the trunk of my thigh.
So tonight, instead of flapping
the small wing of my thumb
through Tinder, I pour
myself a glass of water,
and watch YouTube videos
of Nigel—watch as he dances round
his decoy, spinning round
and round, like a whirling
dervish forever trapped
by the everlasting tornado of love.
Ode to Flies
For the last hour,
I’ve swatted at the small
platoon of flies
that have invaded
my house; I’ve rolled
the glossy magazine
on my desk
into a tube, then tried
to bat them out of the air,
like a little leaguer
desperate to hit a ball.
Until, I realize
I was in the middle
of paying my electric bill;
that I have to call
my doctor about the dull ache
in my boomerang back.
And soon, I have completely forgotten
about the three flies
climbing up and down my window,
like spies suction cupping
their way up a glass skyscraper.
That’s how the past works:
during the day, it might try
to fly at your face,
bomb its ugly, hairy body
into your head, but with a flick
of your hand it’s gone,
and as you busy yourself
with chores, work,
that rogue chunk of cheese,
you forget about the past.
But at night,
when you’re standing
on the cliff of sleep,
getting ready to cannonball
into the dirty swamp of dreams,
that’s when it returns.
When you’re bone-tired,
too drained to even lift
the sheets from your body,
then it beats its silk wings
softly against your skin,
then it rings its dark bell
gently in your ear.
Ghost
The week after I lost my job
for showing up
blackout
drunk to work,
I plucked the pollen-
hefted weeds
growing
from my garden,
then peppered the soil
with ghost pepper seeds.
Every morning
I woke up hungover,
but still I pulled
my jacket over
the stalks of my arms
and filled
my watering can—
tried not to retch
as I lowered
the neck over that pebble-
splotched patch of dirt.
Before lunch,
I would take the bus
from one side
of town to the other,
handing out resumes,
shaking the nicotine-
smeared hands
of managers;
and in the afternoons,
I would try to forget
about the bleached bones
of my fridge, the bills
stacked high on the table,
as I scythed the dead leaves
from my ghost
pepper plant.
And on those days,
when I schlepped my TV
or my dinged-up microwave
to the pawn shop,
I would take a glass
of vodka,
walk out into my garden,
and admire
the small red buds
starting to ember
on the green.
So, weeks later,
when I saw the red ghost
pepper fully grown,
hanging from the branch
like a Christmas
stocking,
I plucked it and sank my teeth
through half—
my vodka left untouched
in the freezer
as I rushed to the kitchen
in search of something
to quell the fire
blazing
inside my mouth.
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