Poetry: Selections from Kevin Ridgeway
THIS IS NO WAY TO RUN A DESERT!
When I’m out there
alone in the world
& my plans go awry,
my transformation
into Clark W. Griswold
slowly begins,
with my crown
of heat sweat
trousers, raving
& yelling at nothing
with nobody to listen
in an endless desert
I can’t find my way
out of because
I can’t get over myself
until I’m melted
to the sand
in my raging mirage
of self-defeat,
& there’s always
a local to point out
what an asshole I am,
but they don’t know me
& how sparky
my personality
can be with
a big fucking smile
plastered on my face
on a holiday road
bound for disaster.
WON’T SOMEONE PLEASE THINK
OF THE CHILDREN?
They wanted us all to Just Say No,
but the problem was the producers
of most of those late 80s/early 90s
after school specials were high
on drugs when they created them.
One Saturday morning half hour
anti-drug special produced by
McDonald’s featured nearly every
animated character known to kids,
many of them dreamed up in heads
full of the same dope they wanted us
to say nope to. Cartoon All-Stars
to the Rescue featured Bugs Bunny,
the Ninja Turtles, Garfield, Kermit,
the Chipmunks and Alf, among
others who all creeped me out
with serious talk about melting
all of my brain cells, cast alongside
a crypt keeper apparition voiced
by Academy Award-winning
drunk George C. Scott as the demon
of addiction, the finale a wretched,
saccharine song and dance number
that still gives me shivers—
the Me Generation fucked me up
so much in their failed attempts
to teach me how to Just Say No,
that they inspired me to Just Do It.
SUNDAY SCHOOL SEX MACHINE
I was just five years old and
wanted her so badly it hurt
every inch of my unformed,
hairless body. She was the
twenty year old daughter of
the pastor of a church we briefly
attended before grandma quit
drinking and came to her senses.
Her big 1989 hair and low cut
dresses made going to Bible Study
Thursdays and all that other
hokum worthwhile. I had a funny
tingle deep inside of me that I had
never felt before. I finally got up
the guts to ask her out on a date.
She agreed to go with me to
the church pancake brunch,
which was a really big deal,
so I wore the purple California
Raisins sweatshirt reserved only
for special occasions that I knew
would get her to want to be at
my handsome side by nap time.
These hopes were dashed when
I tried to impress her with my
Ghostbusters action figure play
set. She called the Ghostbusters
morbid tools of Satan designed
to take me away from Christ. She
placed her hand on my cowlick
and began to pray the Keymaster
out of me. I had to dump her
right then and there. Her beauty
was not enough to forgive taking
the Ghostbusters' names in vain.
It was like crossing the streams.
THE BALLAD OF LARDASS HOGAN
This is the poem within the poem,
a pie eating contest at the county fair
about to turn rancid with a revenge
barf-a-thon chain reaction instigated
by the fictitious man of the hour,
who’s about as alive as Ray Brower,
laying dead by the railroad tracks
in the real life of a novella spun onto
moving frames by the son of a clown
for the grieving kid brother to see,
who told the others in the gang about
the triumph of the ultimate social reject
who put their own dejection to shame:
a reason I didn’t eat pies until recently,
to honor a glory against bullies
& tyrants who made us almost
grieve ourselves more than the dead,
but Lardass sits back with all of us,
taking in the horrors, the chaos &
smell of vomit in the morning loved
more than napalm by people like me
that stand by people like Lardass, who
drank castor oil to baptize the rat finks in
what was hidden deep inside of his guts.
GARBAGE PAIL KIDS
the adults
found all of
the sticker
trading cards
affixed to my
trapper keeper
revolting,
which gave me
my first sense of
accomplishment
& pride.
Kevin Ridgeway's latest books are Invasion of the Shadow People (Luchador Press) and A Ludicrous Split 2 (with Gabriel Ricard, Back of the Class Press). His work has appeared in New York Quarterly, Hiram Poetry Review, Gargoyle, Slipstream, Paterson Literary Review, Chiron Review, Nerve Cowboy, Main Street Rag, One Art, San Pedro River Reviewand Heavy Feather Review, among others. He lives and writes in Long Beach, CA.
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