Poetry: Selections from John Stanizzi
BEACH
At the same moment
we began a
heated argument
the
temperature arrived
in the
guise of a flaming caravan,
the
throbbing, screeching, heckling,
of a tatty
winged locomotive,
The
hotness landed on the sand,
mica-quartz
infused and sparkling-
might we
talk about that a bit
instead of
battling one another?
I was
instantly saturated with sweat
which
oiled my rising anger.
so it
could shift more effortlessly.
--
The heat
took a moment
to allow
its pennaceous feathers
to cool
down.
I thought,
That
should be worth a sentence or two, no?
I’ll
start.
Gee, I
think the heat has let up,
it
might be getting a bit cooler.
Something
like that?
*
We were
sitting on a treasure chest,
the beach.
It was
covered with myriad caches of favors.
I could
not keep that thought at bay.
Wasn’t
bringing together this astonishing miscellany
of
whittled down pieces of our world enough
to shut
down a preposterous disagreement.
…driftwood
from trees or boards,
slivers of
boats, cockle shells, clam shells,
the Vampiresque egg
casings
of skates
and rays (Mermaid purses),
mussel
shells, oyster shells, snail shells,
the
fossils of sea urchins,
the
occasional shark tooth, sea glass with
its
frosted surface that could be 50 years old
or more in
the making, whelk shells riddled
with acorn
barnacles, a fish-eye harvested by a gull,
unidentifiable
pieces of metal, skulls and other bones.
bottle
caps, even a smoothed white domino.
How could
this not be sufficient enough
to turn
the burner down on the hostility?
So many
riches against the endless scrim
of the
chiseled sparkling earth
and we
could we not find
one thing
to speak civilly about?
How
sad.
We must
have done that, spoken civilly to each other,
at one
time,
very long
ago.
Now it
seems we’ve forgotten how,
as if we
never really knew how
in the
first place.
Scallops,
conches, quahogs,
crabs and
clams, cuttlefish bones,
lobster
claws, starfish, old buoys,
and the
hollowed out
helmets of
skates.
*
There was
a mist of small birds in the treetops.
They
disappeared when the rain came.
I wanted
to stay
– don’t
ask me why –
but you
had become incensed
and wanted
to leave…
…immediately
like those
birds,
but I was
still scanning the beach
for
something of value
from this
storehouse of surprises
*
But we
left of course.
That’s
what you wanted
so there
was no discussing it
I really
wanted to tell you
about what
I had seen-
Some might
describe these treasures
as
ordinary. That’s what happens
when we
are swallowed,
when all
the glinting in our brains
has
been scooped out,
and the
trash left behind becomes banal.
We become
uninterested,
or worse,
apathetic.
*
May I tell
you what I saw?
I’ll be
honest,
that’s the
reason I asked you to come along today,
so I
could tell someone about the riches I had seen
and to
remember to include in my description
the
affection, the awe
that
completely satiated all of me.
When two
people gaze long enough,
they
become lovers-
sandpipers,
an oystercatcher,
an elderly
woman wearing a large
straw hat
that wanted to blow away
I saw
young boys throwing around a football
while the
girls watched,
I
recognized a man from back home
who was
dying…
…once
we’re this splintered
there’s
no
putting us
back together.
AMBER ALERT
Police must believe an abduction has occurred. They must be certain that the child is at risk of serious injury or death. Police must have the child’s description, and a description of the captor or captor’s vehicle. The child must be child must be 17 or younger.
“You
are her last hope.”
*
cars on
the road
ribbons on
the doll
its eyes
open
filling
with rain
how can
there be so many cars
did no one
have eyes
to see the
doll in the soft hands
of the
child
see her
cry
looking
around wildly
at nothing
familiar
*
birds
everywhere
ribbons
tied to trees
signs
stapled on telephone poles
birds must
have seen something
something
they might even speak of
landing in
the branches
pretending
not to see
*
bones in
the field
sun sets
over half-buried bones
birds’
music sewn into the branches
like lace
so delicate it cannot be seen
though we
are sure of its presence
after the
girl was stolen
the man
kept the doll
which now
had one arm missing
lost as
the girl fought for her life
the doll’s
ribbon dripped with thick wet mud-
-its eyes
slammed shut
when the
man crushed the doll
with the heel of his boot.
THIRST
"Nothing is as important as passion. No matter what
you
want to do with your life, be passionate.”
-T.S.
Eliot
One bit of
evidence
that
proves I’m an old man
is the
fact that by 5 p.m.
I must
struggle to make it to 6.
I try to
sleep,
pain
crawling
all over
me
all night
long,
insects of
anguish.
But my
mind
is off on
its own-
affliction
of disquiet.
It can’t
forget
the room
filled
with
imagined boxes,
the boxes
where my
days of passion
have been
locked shut
and put
away.
What can
be left of them?
Must be
nothing,
though I
do recall
how it
felt
to possess
passion,
a kind of
passion so feral
it needed
to be held back,
leashed,
muzzled.
I can only
say to you
that which
I believe.
We are not
taught passion.
It grows
with us,
like
muscle or bone.
It’s not
some preternatural mystery-
desire,
sensuality, lust.
I remember
a dark silent dirt road
running
alongside a large lake.
It was
there
that
simply being alive erupted into
a world of
pleasure-
population,
two.
Here was
desire that expunged
any
ignited sadness those days
winter or
summer.
I recall
so distinctly being oblivious
to any
temperature change
other than
the one
we kindled
with our bodies.
But for
decades
repulsive
barges
pushed us
slowly along
in
opposite directions/
Our cargo?
The
catastrophe of our pasts.
The
present will always be buckled
by the
inflexibility of what came before it,
the two of
them bonded together
giving the
impression
that there
were no past events
and the
present has always been
exactly
what it seems.
Look
closely, carefully.
You will
find no fine lines of separation-
it appears
as one long story
changing
imperceptibly
except for
our growing knowledge
that we
can never
resume the journey.
DREAM
A certain nobility is implicit in saying what I don't believe
and
hoping you believe it.
-Terrance
Hayes
unsure
if I’m awake or not
I must
wait until something transpires
that could
only occur in sleep
…and it
does
…a quick
very quiet Pooof!
then I’m
standing in the yard
in perfect
blackness
I feel a
ramping of energy
the engine
of this
recurring dream
I’ll stand
still as a fencepost
arms above
my head
reaching
into the sky
bend my
knees slightly
through
groaning arthritis
and gently
push off
planet
earth
that’s it
I’m off
airborne
flying
miles and
miles up
I see my
breath
as if I’m
being pulled along
by a tiny
cloud
I travel
in the
direction I look
Revealing
my intentions
I
think Up! Up!
or look
toward the ground
and with
fleet nonchalance
precipitously
jet
between
close branches
wheeling tumblingrunning
across
the firmament
then I’m
standing in my yard again
in
flawless darkness
during one
small part of a moment
I’m
soaring through space--
in another
acre of the same moment
I’m
standing in the yard
trusting
entirely
in what I
just experienced
*
back in
the house
I sit by
the window
and watch
the jewelweed climb
I know I
should
keep these
things secret
lest
someone suspect me
of
beginning to lose it
but it’s
impossible
Night of
gypsy moths,
of heat,
of death
staring twice
at
children,
that
spineless son of a bitch
I rise
from my chair
turn and
gaze at myself
in bed
where I
seem wide awake
watching
myself at the window
the look
on my face
a stiff mask of terror
SLEEPWALKING…AGAIN
-An ekphrastic sestina.
…after
Sleepwalking, photography by Alex Bramford (UK) 2023
For the
poem’s sake let’s use the word unconscious.
A place
this idyllic, with its dirt road,
and in the
distance behind me, the cliff,
protected
by the guards of four chimneys,
is made
graceful on the wings of four birds
flying off
the narrow beach and the shore.
Thoughts
of college and Wordsworth on the shore,
with big
thoughts of adventure, unconscious
about
everything but the boat and birds
performing
stall turns above the dirt road,
then over
his house with its four chimneys,
and out to
sea, their scrim, the massive cliff.
The shore
pressed heavy on the mammoth cliff,
and my
spine quaked as wind pushed us to shore.
Afraid to
move but knowing the chimneys
were
behind me as I grew unconscious.
In a
moment I felt the stone dirt road,
Still
asleep I could sense the flight of birds.
They’re
here. I know they are. I saw the birds!
Almost
like a leg of lamb, the sliced cliff.
I’m sure
I’m awake, walking the dirt road.
That quiet
sound is the ocean’s low shore
against
the cliff base. Am I unconscious?
Pebbles
hurt my feet. I smell the chimneys.
I seem to
recall there were four chimneys,
and the
endless screeching of sea birds.
Perhaps
I’m not awake or unconscious.
I’ve grown
anxious. When I turn, will the cliff
still be
there being reshaped by the shore?
I should
head for home along dirt road.
You see!
Now I’ve confused myself. What road?
Hurry! I’m
sure I don’t recall chimneys!
But I know
they are there, facing the shore.
It is
deathly quiet now. No more birds!
Were I
closer I would jump off the cliff.
Oh Lord!
Not again! I am unconscious.
I’m far
from shore, but I still hear the birds.
Still on
the dirt road and I smell chimneys.
Unconscious no more, and there is the cliff.
John Stanizzi is author of 15 books, among them - Ecstasy Among Ghosts, Sleepwalking, Chants, POND, Feathers and Bones, SEE. Besides A Thin Slice of Anxiety, where he is a frequent contributor, he has been published widely - Prairie Schooner, Cortland Review, Rattle, Tar River, Potomac Review, Paterson Review, and others.
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