Poetry: Selections from Taylor Hagood

Bitcoin Poem


Its graphic incarnation

glamours it into a gold piece

B-emblazoned.

 

But of course it is really

just more offs and ons

roaring into quiet Arkansas nights.

 

New mines in those mountains—

the slopes bowed beneath

riches’ pressure all anew.

 

The New York Times writers

revel in such stories of Ozark

and Appalachian exploitation.

 

Its hope lives unhinged

the perfect currency of its time,

when fiat has exposed itself

 

of having been for all time.




Text to My Cousin

 

I remember a time

when it would have been

unimaginable

for Ole Miss to be whupping

Penn State this way.





Ibises

 

They never

never stop fascinating me.

 

Their hunched shoulders

as they stalk so alone

though in flocks.

 

The gracefulness of their

curving orange bills.

 

No wonder they captured

the Egyptians’ fancy so.

 

Maybe some predestination

of Thoth eons ago

 

brought writing and magic

to me through the ibis’s head.

 

Maybe it will be the picture

of my ultimate mummification.

 

Watching them through

purple-shadow-stretched

Florida mornings

 

I imagine myself

lightly feathered as they.





Port Royal

 

for Loretta and Naomi

 

“Man has put his history to sleep

in the engine of doom. It flies

over his dreams in the night,

a blazing cocoon.”

—Wendell Berry

 

Child memory is dream memory is a covered bridge.

Shadows inside broken by sunlight cracks in boards.

Red River ripples below, quiet since it smashed that bridge out of existence in 1998.

 

Tennessee is Kentucky is Texas is Jamaica.

Green hedge maze at the foot of the bridge in summer, grass mowed and grass-

smelling, American Ladies winking in drunk charges. “The disease of the modern

character is specialization.” Timber on Jerusalem Ridge, yes, but also coal veins

and tobacco and bouquets and corn rows and fiddling and mandolining and Uncle Pen.

 

Butcher Holler is Hurricane Mills is Ashland is Leiper’s Fork.

You knew what Kenneth Koch shew: “Two and two is rather blue.”

I heard him say it in deep Appalachia Athens, Ohio, in spring. You pulled that trigger

in spring. Did you think it would bring life instead of death? What was your illogic?

Whatever it is, know I love you.

 

Vega is Gibson is Epiphone is Fender. Ford is International Harvester is John Deere is Mahindra.

I have felt it cold enough to kill hogs. I have witnessed dried-blood loops

on barnwood walls flung from dehorning cows. I have loved blue Kentucky girls.

I have wandered the maze entirely uninterested in finding my way out.








Taylor Hagood is a writer based in south Florida whose publications include poetry in A-Minor MagazineAppalachian HeritageCalifornia QuarterlyLouisiana Literature, and The Thieving Magpie as well as the biography/true crime, Stringbean: The Life and Murder of a Country Music Legend.

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