Creative Nonfiction: The Heartbreakers' Derby
By Hope Mills
I took a brief break from healing to obsess
over an unavailable man. Clean-cut, tight-lipped and wholly unreachable, C was
sandalwood with top notes of disinterest. A man easy to weave scenarios around
because he never asked questions, never shared much. C personified my fantasy
of the quintessential college boyfriend: an easy-going lover who you only do
the fun parts of a relationship with. A refuge, a shelter, an omission, a lie –
I have never been so carefree.
It was a well-worn melody. C and I stepped
out onto a dimly lit stage from opposite ends of a creaky floor, eager to play
the familiar tune. Spotlights adjusted on our instruments as we sat down across
from each other. Eye contact, two ragged breaths, and the game was on. C
chorused delicately, sharply as I anticipated his next note. Each stolen glance
and knowing smile changed the pitch, and increased the stakes. I was a distance
away, but I could feel my opponent wavering – a slight delay on the strings, and
I chased to attune the difference.
It was a near-para-social relationship. Aside
from being a well-matched player, C had something I craved: stable hands. A
happy family, a good career, direction. So, I broke the musician’s
cardinal rule: I let my fingers slip off the strings just long enough for the
room to tremble, and for him to win. For the next few moons, I fantasised that
he would realise we were more than lust, take me out on a date and rescue me. I
hoped his self-assurance would seep into my skin by osmosis, and his presence
would hand me the ultimate payout – distraction.
It was unfair to place such high expectations
on him, particularly when I never voiced them. C was a virtuoso, only focused
on refining his side of the melody; I was merely his musical partner for a
short number. It wasn’t personal. After the performance, when adrenaline was
searing through our veins in a way that made the fantasy seem plausible, a
thought sliced the air. The curtain dropped in a decisive moment: C was the
one.
I’m joking. I realised I had met a man who
mirrored my avoidant tendencies. In my usual pattern, I initiated a game of
hot-and-cold until I got my fix, then parted in search of the next high. By
these standards, C seemed a worthy adversary. All is fair in love and war, even
more so when the two intertwine. Amid the adventure, the rush seemed worth the
risk, but it never was. I only pretended to be disinterested, denying my nature
while realising he was being true to his own. I knew then that it had been just
as difficult for some of my potential loves to understand me, and I sent a
silent apology to the men I could have loved, were it not for my
stubbornness.
Looking at my past for release, I stumbled
onto an old crush. Six years earlier, the object of my affection was an
identical archetype to C. An uncanny similarity: a green-eyed Libra athlete who
knew how to talk his way out of anything. Both relationships were a cacophony
of “accidental” touches and inside jokes, never breaching the physical. Ample
ammo for overthinking. I happily wasted time kicking my feet up in the air,
dreaming of what my crush would say next. Imagine if I had put all that work
into my career.
Once, during an argument, D noted that I was
acting inhumanely. He saw that I lacked the compassion I expected from others,
pointing out whenever I would play the victim. This is painful to recall
because he was right. In my girlhood, I was more emotionally unavailable,
avoidant and temperamental than the closeted chaos-addicts I dated. I clung to
the idea of an ideal me, one without scars, but I was never willing to work
toward becoming the version of myself I dreamed about. C reminded me of how
nonchalant I had been, how callously I had conducted myself with those who
cared for me. I pondered this ad nauseum until I saw my reflection in
his actions. It mortified me to realise I had led good people on in the same
ways, just as many times.
Avoidant attachment is a drug. For years, I
reaffirmed dormant trust- and abandonment-issues by choosing partners I knew
were incompatible. I reveled in the chase, digging into my need for distance,
mystery, and misery. My ethos was: if I am unreachable, I am unhurtable.
But this tactic is a failed remedy because it
comes at the expense of honesty. There is no real connection without trust, and
anaesthesia always wears off. In the end, we must face our brokenness with a
delicate, forgiving hand. Undoubtedly, it is much easier to lie; to live in the
fantasy of a partner’s potential rather than admit the failure of our innermost
fantasy of being loved. Acknowledging and analysing patterns is the only way to
heal these wounds and free ourselves from lovelessness.
It wasn’t all melodrama with C – the realisation of my misguided affections filled a vacant spot in my heart. It was a relief to step off the tracks as I saw an approaching train. It was time to live again, and for myself this time. So, I set out across the pond, feet firmly planted in the white-hot sand of reality. First stop: Guatemala City.
Hope Mills is a Lithuanian-Irish writer. Her work explores mental health, grief, and coming-of-age. Sometimes it's fictional, sometimes it's not. Hope graduated from University College Dublin, Ireland's largest university, with a BSc in Sociology, Politics & International Relations in 2023. Hope self-published her debut memoir The Year of Rejection in October 2024, after two years of writing. She splits her time between Dublin and Ignalina.
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