Poetry: Selections From Damon Hubbs

At the Air Show

 

When I saw you at the air show 

you were telling some guy with a Fox frame umbrella

that walnut comes from the Old English walhnuto

which means “foreign nut.” And the guy looked at you 

like you were off your rocker, and maybe you were 

even though he was the one who thought 

a Fox frame umbrella could protect 

him from a midair collision;  

 

debris from the pierced heart 

formation took out 70 in West Germany in ’88

and us, in Montpelier, not so many years ago.

Our base leg was never sound. 

Flying dirty in the basement apartment,  

love like a blown-out engine, then barrel rolls 

as the flea sucked suddenly at our blood. 

O how we denied each other.

 

A quick punch of air from the bedroom window.  

Just a crack, a little crack. Now we see 

acorns gathering, and the mailman’s shoes 

fathomless and black. 




A Weekend in the Catskills

 

Warring with wakened birds 

and an active bladder

in the Catskills with Tom and Gretchen;

they have an au pair who lives in the attic 

without flowers. She buries the messes.

My hangover flares, like sciatica. 

 

Tom absorbs what he borrows —time, money

my old flame, and every time I voyage 

the grand flight of stairs, past the cat 

watching over last night’s dessert

I expect to see a notice on the kitchen door:

“Sign Up Now for Talent Night.”

 

And one night 

I am the town crier 

with a hunting horn 

and dead bell; 

how long have you been sleeping 

with that waitress in Phoenicia?

 

Hobnobbing o yes o yes

my father owned a fleet 

of champagne delivery trucks, 

only to have not forgotten 

how he smoked butts plucked 

from the street.

 

And one night 

I am the lead in a French stage comedy, 

breezy and sweet-toothed

like a coyote at a garden party.  

As Gretchen hitches up the new moon

I cut up the old one into stars. 




Going to Maine

 

I remember we were always going to Maine. 

Up I-95 to Ogunquit, past the Summer Stock 

Playhouse, then on to Kennebunkport, Portland —Exchange St

and the little bar where the locals had their own mugs 

hanging from wooden hooks behind the cash register. 

I remember we were always going to Maine 

and in his plays Aristophanes 

used the names of people in the audience.

Going to Maine was like that, especially the little bar 

where the locals had their own mugs 

hanging from wooden hooks behind the cash register. 

It might have been Gritty’s, or was it somewhere else?

You’d turn to me and whisper —we’re becoming the instrument 

of the poem, and then Mike Powers, who had a stoneware stein 

glazed with castles and abbeys and horn players, said —in 427 BCE

The Banqueters won second prize at the annual City Dionysian 

drama competition 

                             I remember we were always going to Maine.

You talked about your first love and said things 

like la douleur exquise, and the locals would say anything 

south of Augusta is really Massachusetts —maybe

going to Maine we were searching for the fabled kingdom 

of The Birds, where everything is possible 

and you can sit and watch time pass, or talk to Angelica

or ask Betty about the Airplane Poems, or play pinball 

like Agnès Varda and Jacques Demy at Cannes in ’62.

When someone said get a room, we said 

we’re going to Maine because the rooms are better 

than the rooms in Springfield and Byfield 

doesn’t even have any rooms. It’s a simple thing

going to Maine, like losing an earring in an enormous 

blue lake.






Damon Hubbs is a poet from New England. He's the author of three chapbooks and a full-length collection -Venus at the Arms Fair (Alien Buddha Press, 2024). Recent publications include BRUISER, Revolution JohnDon't Submit!, Horror Sleaze Trash, and The Gorko Gazette. His poems have been nominated for the Pushcart Prize and Best of the Net. Twitter @damon_hubbs

 

 

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