Poetry: Selections from Jonathan S Baker
Smash
John, who
is all of us, is on the back deck
laughing
with his friends at off-color jokes.
Some of
the punchlines upset John just a bit,
and it
upsets him that it upsets him,
but he
quickly and silently decides not to bring it up
because he
knows it will just be a whole thing
and the
rest of today would go straight to piss.
Even if
John does manage to smooth it over,
everyone
will be waiting for the time to leave
to
complain to their wives all the way home
about how
John can’t ever just let it go
and how
everyone has gotten so damn sensitive
and how no
one today can take a simple joke.
So instead
John gets up to refill his drink
and offers
to grab a drink for the other partiers.
Generally,
he’s really having a good time
EVEN AS
MULTIPLE GENOCIDES
HAPPEN
AROUND THE WORLD
not once
have any of these atrocities come up in conversation,
everyone
is just eating burgers and talking
about
their kids and refinancing their homes
and
vacation plans and the price of groceries.
John is
both thankful for and disappointed
in the
kind of people he has grown to surround himself with,
but in his
heart he knows that they are okay.
All of
them except for Jeremy
who he
would never leave alone with a kid or a dog,
but if he
didn't invite Jeremy, Jeremy's wife wouldn’t come.
John has
kind of been looking forward
to seeing
her in a bathing suit ever since
last
summer’s BBQ when she laughed at the crack
John had
made about Jeremy
and the
song of her laugh and the bounce of her tits
made John
half erect in his damp swim trunks.
So when
John heads to grab those beers, he doesn't notice…
smash!
John walks
into
Monday’s
plate glass window
the
weekend is over
back in
the office
covered in
cuts
the phone
is ringing
the clock
is ticking
the boss
isn't happy
everything’s
a bloody mess
and all of
this life
is still
going on.
The
Brutal Sameness of American Culture
If you've
seen one mall…you've seen one mall…
You've
seen them all…You’ve seen them all.
I am
disappointed in the landscape
across
thousands of miles of highway,
a fractal
image spun out from 1950s marketing guys
and
repainted every decade til every repeated pattern matched.
The car
window is just a screen with graphics populated
by a lazy
algorithm coded efficiently and cheaply,
simple
pallet swaps over reused models.
Brand new
like new, the American homogeny
driven by
recursion ever westward. Wagons Ho!
Middle
ground mediocre manifest destiny,
washedout
technacolonization,
faded pale
faces clone stamped
Across the
Continental canvas.
It's a
melting pot of perpetual stew.
All the
chunky bits are turned mush.
The
flavors are on mute overpowered by static.
The
hamburgers are the same.
The pizza
is the same.
Even the
Mexican and Chinese places are all the same.
I can
safely order either a chili poblano or general tso's combo
anywhere
between the Pacific and the Atlantic.
I've eaten
at a Texas Roadhouse in Texas.
It was
just like the one in Indiana.
I'm
nostalgic for radicals
that rose
out of hard times and oppression.
I am
shamefully thankful for their hard times.
They went
through hell so I don't have to,
but they
did write a lot of pretty songs, told some funny jokes.
I'm not
saying it was worth it
but I
can't imagine a world without a history of violence.
So I will
be solemn when called for and remember
the people
that stood out and took a beating for it.
Thankfully
there will always be boundaries
to be
pushed, limits to be tested, rules to be broken.
Utopia
exists with in the space
between
freedom and the fall.
I'm
looking forward to the changes
anything
to shake this brutal sameness.
Jonathan S Baker lives in Evansville Indiana where the Christmas trees are luxurious and the shrubs are solemn. They are the author of several collections of poetry and the Pope of publishing at Pure Sleeze Press.
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